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Gutshot

posted by: July 21, 2015 - 7:00am

Cover art for Gutshot by Amelia GrayMost of Amelia Gray’s stories in Gutshot are unusually short — two or three pages each — which makes their power to shock and awe feel overwhelming. Each story begins with a harbinger sentence informing character or setting and descends into chaos, with all kinds of taboos roiling around between the beautifully adorned covers.

 

Grindhouse-level ultraviolence comprises the stories “Fifty Ways to Eat Your Lover” and “The Moment of Conception.” In “Date Night,” couples out for a good time flay one another to get to the person within. Different perceptions of love and adoration are absolutely ruined in “House Proud,” “The Swan as a Metaphor for Love” and “How He Felt.” “The Lives of Ghosts” portrays the departed returning to life in the form of grisly bruises and boils on those who miss them most. There’s provocative defilement in “Monument” and “Legacy,” and perverse detainment in “Western Passage.” In “House Heart,” a couple confines a girl to the ventilation system of their house and listen to her shimmy around...as foreplay.

 

Disgusting as this may sound, Gutshot is a tiny grimoire of genius brimming with macabre and hilarious imaginings. For every derisive snort elicited, there’s an equine chortle that’ll render readers suddenly cognizant of their wide-eyed, shell-shocked states. In the right light, stories like “Thank You” and “Go for It and Raise Hell” and “Gutshot” can feel like palate cleansers, reminding readers that it’s all for fun and nobody actually got dismembered at a fancy restaurant. 


 
 

Revised: January 24, 2017